La luce di questi giorni è proprio bella , potente e morbida. Ci sto ancora attento , sebbene con la fotografia digitale e i suoi molti aspetti creativi, l'impostazione tecnica della fotocamera sia diventato un dettaglio. Personalmente ho imparato a fotografare a tredici i anni con la vecchia Minolta di mio padre. Ancora adesso regolo tempi e diaframmi, sebbene talvolta non sarebbe necessario, così come uso il cavalletto che mi da un modo di vedere le immagini molto educato . Trovo interessanti queste nuove possibilità, but I try to use them in the most honest as possible. The digital el 'subsequent processing have changed the very concept of the photograph, when added to portray an' image, the ability to correct its constituent elements and color in an easy and professional. This new habit of photographing in the end, however, has only reinforced something that has always been found in embryo in the art of reproducing reality. At the bottom of the traditional development and can give several different characters to the photos it produces. The new programs, the ease with which you can see the resulting image, they just made more linear and direct this aspect in this context I will limit myself to more general applications of the correction, cropping, horizontal alignment and attention to tone and temperature. The rest should be used very sparingly. It 's really a moment to ruin a photo, create a blur ugly or posterization, as we see, sometimes in the album of the marriages of some photographers from overwork. Also because if a picture does not convince us, and often do not need anything else, it strikes like a punch in the face or a thin whistle and rarely make mistakes, because at that moment, our mind does the same job of a computer program that is cut all the unnecessary work filters and interpretations, often less objective and realistic, make great choices of content and meaning, critical races. Ironically
photography is the most arbitrary we can describe reality.
